Monday, 19 November 2012
Tuesday, 13 November 2012
Why?
I know someday you'll have a beautiful life
I know you'll be a sun
why, why can't it be, can't it be mine?
I know you'll be a sun
in somebody else's sky, but why
why, why can't it be, can't it be mine?
Monday, 12 November 2012
good feeling
won't you say stay with me just a little longer
it always seems like your leaving
when I know the other one
just a little too well
oh dear lady
won't you stay with me just a little longer
y'know it always seems like your leaving
when I need you here just a little longer
it always seems like your leaving
when I know the other one
just a little too well
oh dear lady
won't you stay with me just a little longer
y'know it always seems like your leaving
when I need you here just a little longer
Monday, 5 November 2012
Fox Boy visits Little Venice
I read some poems at the Parole Parlate 2nd Birthday celebration last Thursday. It is held upstairs at Little Venice and always has a good mix of performers. I felt a whole range of emotions whilst listening: one poet called Amanda Bonnick made me cry with her beautiful and evocative poems about her father. Catherine Crosswell and Gary Longden both made me laugh so much I couldn't get my breath. The poems were so witty and performed with perfect comic timing. Andrew Owens captured the fear and anxiety of losing a child in a busy shopping centre in his story. Claire Walker was a delight to listen to read as she has a lovely perceptive view of the world that comes across in her words. Read the whole review of the night on Gary's blog (an excellent blog to visit for poetry news in the West Midlands.) Garyswordz
'Closing the first half was Ruth Stacey who performed a bold and imaginative sequence entitled The Fox Boy. Densely layered , it borrows from the Red Indian of North America tradition of using animal characters that are half animal/half human to explore existence. It is no twee anthropomorphic jaunt. Ambitious in intent, it is an invocation to break out of the restrictions of our own skin to explore beyond. Cleverly, the device of transcending the confines of that skin embraces mixed ethnicity too- “skin is just a covering, to keep the flesh tidy and the heart, in place”. It was very well received and proved that challenging, serious poetry can be performed out loud and succeed.'
Review by Gary Longdon
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| photo by Geoff Robinson |
'Closing the first half was Ruth Stacey who performed a bold and imaginative sequence entitled The Fox Boy. Densely layered , it borrows from the Red Indian of North America tradition of using animal characters that are half animal/half human to explore existence. It is no twee anthropomorphic jaunt. Ambitious in intent, it is an invocation to break out of the restrictions of our own skin to explore beyond. Cleverly, the device of transcending the confines of that skin embraces mixed ethnicity too- “skin is just a covering, to keep the flesh tidy and the heart, in place”. It was very well received and proved that challenging, serious poetry can be performed out loud and succeed.'
Review by Gary Longdon
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| 'The Fox Hunt' by Winslow Homer 1893 |
Thursday, 1 November 2012
Mindful Writing Day
I have been writing small stones for a while now and really appreciate the way they make me pay attention to the small things in life I might usually miss. Today is Mindful Writing Day: a day to slow down and write some small stones.
Here is my first stone of the day:
Grey air, grey light,
dull drip of descending water;
his eyes flicker open
but no light gleams in them.
Read more here
Here is my first stone of the day:
Grey air, grey light,
dull drip of descending water;
his eyes flicker open
but no light gleams in them.
Read more here
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